It is an expression of Xu Bing’s long-standing vision of a universal language. 1987 marks the year Xu Bing’s artistic practice took a decisive turn towards conceptualism. 19 7/10 × 26 in. The Foolish Old Man Who Tried to Remove ... Book  from  the  Ground  -  Studio  Installation, Background  Story:  Landscape  After  Huang  Gongwang, Background  Story:  Returning  Late  from  a  Spring  Outing, Background  Story:  Dwelling  in  the  Peach  Blossom  Valley, Background  Story:  Spring  Clouds  and  Layered  Peaks, Background  Story  -  Old  Trees,  Level  Distance, Background  Story:  Landscape  Painted  on  the  Double  Ninth  Festival, Background  Story:  Blue  and  Green  Landscape, Background  Story:  Landscape  after  Wu  Zhen, Background  Story:  Shangfang  Temple  Scroll, Square  Word  Calligraphy:  Three  Indonesian  Proverbs, Square  Word  Calligraphy:  El  bon  poble, An  introduction  to  Square  Word  Calligraphy, Landscripts  from  the  Himalayan  Journal, American  Silkworm  Series  4:  Silkworm  VCR, American  Silkworm  Series  3:  The  Opening, American  Silkworm  Series  1:  Silkworm  Books, A  Case  Study  of  Transference:  Times  Overlap. By Bing Xu ( Author ) [ Book from the Ground: From Point to Point By Mar-2014 Hardcover | Bing Xu | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Materials: Woodblock print mounted as a handscroll, ink on paper, "I created this work upon an invitation from Museum of Fine Arts, Boston. Xu Bing. Buy The Book About Xu Bing's Book from the Ground Illustrated by Mathieu Borysevicz (ISBN: 9780262027427) from Amazon's Book Store. Users can enter words either in English or in Chinese, and the program will translate them into Xu Bing's lexicon of signs. It is the artist's belief that people must have their routine thinking attacked in this way. They are characteristic of a certain style in Xu Bing’s early works, and they can be seen as a starting point in his artistic inspiration. The creation of Xu Bing's Book from the Ground documented and described in text, images, and photographs. From this single grid, one can discern nearly 4,000 separate poems. Through the medium of widescreen animation, The Character of Characters describes the source of the unique character of Chinese people. In response to his own Book from the Sky, a work dated 30 years earlier whose language is illegible to anyone, Book from the Ground is legible to all. He was raised in a highly intellectual environment, as his father was the head of the University's history department, and his mother worked as a research… Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of "Book from the Ground." Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Taipei. Finally the visitor is able to see something that would normally be kept hidden at an exhibtion. In response to his own Book from the Sky, a work dated 30 years earlier whose language is illegible to anyone, Book from the Ground is legible to all. Book From the Ground: From Point to Point can be purchased from various bookstores and websites. And every time we interact with technology, exchange takes place on the level of the soul.Work Descriptions.Flight: Birds don’t like that we have used this mark to represent them.Growth: Chinese is fascinating in that drawing, painting and writing can be one and the same. Print. The book is written in a way that any reader, regardless of his or her cultural or educational background, can understand. Everyday low … Since 2008, Bing has experimented with increasingly less traditional methods and materials of communication. When at last they touched the moon, it vanished in the ripples of the water. Xu Bing’s studio also made a character database software that corresponds to the language of the book. Although the pictogram-only narrative in Xu Bing's Book from the Ground can be read by anyone, there is much more to the story of Xu Bing's wordless book than can be gleaned from icons alone. … This progression, from nothing to something to nothing again, anticipates the artist’s desire, stated later in his career, to “make something useless”—to push the medium of woodcutting, and the “usefulness” of figurative arts, into new territory. They express a certain nostalgia for his time in the countryside when he was working in the arts community there, for the pure and simple village life. Xu Bing had no quarrel with this criticism, and used it as the title of this work—a play on words, as the word for “build” can also mean “pound.” The monumental scroll challenges received notions of nation, history, and identity, posing a daunting question: What do we protect in our history books? The result is a readable story without words, an account of twenty-four hours in the life of "Mr. Black," a typical urban white-collar worker. Yet the overt simplicity, charm and ready comprehensibility of the work has the underlying effect of guiding the audience to open up the “cognitive space” of their minds to the implications of, and relationships between, word, concept, symbol and image. set of 4. Print. ―Xu Bing. Eventually an image of a landscape emerges, reminiscent of East Asian painting. Book from the Ground, 2012. PICTURE THIS: A page of 'Book from the Ground', which narrates a day in the life of an office worker Xu Bing Book from the Ground is not Xu's first … In the work, Xu Bing references the fine whitish-grey film that covered downtown New York in the weeks following 9-11, and recreates a field of dust across the gallery floor that is punctuated by the outline of a Zen Buddhist poem, revealed as if the letters have been removed from under the layer: In the work Xu Bing discusses the relationship between the material world and the spiritual world, exploring the complicated circumstances created by different world perspectives. This animation seeks to reveal the relation between Chinese writing and cultural characteristics, the core and energy of Chinese culture, and its advantages and disadvantages for people to continue to build new modes of human civilization. This is the way things have been done over thousands of years in the Chinese history, so this must have had some influence on the formation of the character of Chinese people. Once they are seated at the desks, the audience is instructed to take up their brushes and the lesson in New English Calligraphy begins. Eslite Gallery. Xu Bing states: ''These two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization, engage in the most primal form of 'social intercourse.' In 1977, Xu Bing passed his entrance exams to enroll in the Printmaking Department of the Central Academy of Fine Arts. Now I have created Book from the Ground, a book that anyone can read. Since 2015, surveillance cameras in China have been linked to the cloud database: countless surveillance recordings have been streamed online. While undergoing this process of estrangement and re-familiarization with one's written language, the audience is reminded that the sensation of distance between other systems of language and one's own is largely self-induced. Chinese, b. The artist first compiled symbols drawn from the public sphere and wrote a book using only these signs. It implies the way that Chinese people see and approach things, and why China is the way it is today – developing at this breakneck speed but not in line with the Western value system. 1955 • Follow. The book is written in a way that any reader, regardless of his or her cultural or educational background, can understand. For his graduation exhibition, he showed Five Series of Repetitions as well as his “Stone Series” of copperplate prints. Supported by The Robert H. N. Ho Family Foundation. Medium: Performance, mixed media installation / Ink and live pigs, When this work was initially performed in Beijing, it revealed an unexpected and surprising dynamic between the spectators and the spectacle. On the gallery floor Chinese characters in the “simplified style” script popularized during the Mao era are used to write out the dictionary definition for niao. The colorful, shimmering imagery of the installation imparts a magical, fairy-tale like quality. The third of five children, he spent his childhood years growing up in Beijing, where his parents moved to work at Peking University when he was two years old. Although the pictogram-only narrative in Xu Bing’s Book from the Ground can be read by anyone, there is much more to the story of Xu Bing’s wordless book than can be gleaned from icons alone. It thus serves as an intermediary form of communication and exchange between the two languages. Xu Bing has been undertaking his Book from the Ground project since 2003. The process taught me visual literacy beyond my traditional art education. As personal computer and the internet become increasingly integrated into daily life, the lexicon of digital icons grows accordingly, and the symbolic language of Book from the Ground has been further updated, augmented, and complicated. Thereby into the Western cultural sphere was written a brand new, Eastern art form. Xu Bing was born in Chongqing, in the newly-formed Communist People's Republic of China, in 1955. '', Medium: media/found oil paintings, falsified magazine article. Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, suspicion, and confusion. It is an expression of Xu Bing’s long-standing vision of a universal language. To the artist, the process of caring for and working with the pigs constitutes ''a kind of ongoing sociological experiment, touching on myriad issues. Its feasibility is based on the following principles: firstly, utilize free online services such as auction and sales hosting, money transfers, and even online teaching to achieve the lowest possible costs; secondly, benefit everyone involved in the project; thirdly, utilize regional economic discrepancies ($2.50 is a subway ride in New York, but it can plant ten trees in Kenya). It was rather the audience members who found themselves in an embarrassing and awkward position. … As they rise into the air, the characters “de-evolve” from the simplified system to standardized Chinese text and finally to the ancient Chinese pictograph hasde upon a bird’s actual appearance. On the surface, Wu Street appears to be no more than an elaborate practical joke; yet it poses serious questions concerning the contemporary art system, the often arbitrary nature of critical language and the basis for assessing the value of art. Materials: Performance media installation with live animal / Live Pig, books, mannequin, wood blocks, ink. The book, which consists of four volumes totaling 604 pages, was printed … Due to the universality of its visual language, it could be published anywhere without translation. After developing this lettering system, Xu Bing created a new installation piece modeled on adult literacy classes within the exhibition space. Xu Bing Book from the Ground: From • to • (front and back covers), 2012 Print on paper Each: 22.5 x 31 cm (set of 64) Book from the Ground was created with the intention to be read by people from various cultures and linguistic backgrounds without further translation. The artist first compiled symbols drawn from the public sphere and wrote a book using only these signs. Everyone in China who has received basic education must, over the course of years, commit to memorize and then write and re-write thousands of characters, each character a drawing. Computer technology has made possible images of incomparable beauty, yet I prefer the hand-drawn quality that cartoons of my childhood possess.There is a rule regarding “art”: only creation without function can be considered art. Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel one composed entirely of symbols and icons that are universally understood. Commissioned by the Museum of Modern Art in New York, this work was created for the Museum's ''Project Series,'' a group of monumental banners designed by international artists to be displayed outside the entrance to the museum. The title of this work refers to the Chinese name of a Manhattan street located on the Lower East Side. Der Verkaufspreis von Xu bing: book from the sky to book from the ground ist in letzter Zeit bei stabil geblieben, es hat sich nichts geändert. A Book from the Sky (simplified Chinese: 天书; traditional Chinese: 天書; pinyin: Tiānshū) is the title of a book produced by Chinese artist Xu Bing in the style of fine editions from the Song and Ming dynasties, but filled entirely with meaningless glyphs designed to resemble traditional Chinese characters. Return: Birds don’t have an opportunity to refuse their human explanation. It thus serves as an intermediary form of communication and exchange between the two languages. A life-sized mannequin in human form, covered in false-character tattoos, was placed inside an enclosure containing a male pig, similarly tattooed. 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